MARABELLA
Costume Designer
Director: Charles Yee
Writer: Boni B. Alvarez
Scenic Designer: Chelsea Zhang
Lighting Designer: Grady Schlueder
Sound Designer: Jack Weiss
A modern-day adaption of Euripides' seminal tragedy, the titular character of Medea is transformed into Marabella Puro, an immigrant nanny stowed away by her boss in an apartment in Pacoima after becoming pregnant with his child. "Marabella" explores what it means to be a female immigrant in the U.S. today: the hardships, sacrifices, and concessions needed to survive, fin acceptance and love, all while being made invisible in plain site.
KUBRICK'S ARYAN PAPERS
Costume Designer
Director: Hunter Abal
Writers: Hunter Abal & David Blindauer
Scenic Designer: Avalon Greenberg
Sound Designer: Colin Yeo
Lighting Designer: Ry Burke
Video Design: Ly Eisenstien
Based on fictional events surrounding filmmaker Stanley Kubrick’s notorious unfinished project, Aryan Papers, the newly established ensemble Eloquent Peasants create a cinematic multimedia experience in Kubrick's Aryan Papers or How I learned that I'm in pain 24 hours a day. In his fleeting subconscious, Kubrick attempts to complete the Holocaust movie he never finished as memories of his friends and family echo from within.
THE LABRYRINTH
Costume Designer
Directed & Produced by: The Speakeasy Society
Line Producer: Jared Pixler
Costume Designer: Emerson Bualat
Scenic Design: David Kim, Garrett Cebollero, Noah Hernandez, and Jordyn Ross
Sound Design: Amy Huang & Alena Delval
Lighting Design: Rachel Tibbetts
This piece pulls characters from a variety of Greek myths building one large world containing all of their individual stories. Engaging the setting of psychological space these costumes meld and mix a variety of different time periods to create The Labyrinth.
*This production was cancled due to Covid-19*
YOU ON THE MOORS NOW
Director: Jamie Cayer
Stage-Manager: Daniella Silva
Lighting Designer: Robert Hill-Guarino
You On the Moors Now follows the stories of Jane Eyre, Pride and Prejudice, Wuthering Heights, and Little Women, but if the women had said no. This feminist adaption reimagines the characters as modern versions of themselves. Setting the play in a mix of time periods, I played with a combination of the characters' original time period and our present.
Costume Designer
